Jim Powers Interview For Porn Corporation

1. We want to go back to the beginning; let’s talk about your first dip into the adult industry, wandering into an AVN show in the early 90’s and coming out through the other side producing “The Hills Have Thighs”. Tell us the full story in your words; we’re dying to know the story from the legend!

JIM POWERS: I got into porn quite by accident in the summer of 1990. I had been a stockbroker in Atlanta, and the firm I worked at was shut down when one of the brokers manipulated a stock from a dollar to forty a share, and the SEC came in and shut us down. So, my life was kind of a shambles when a broker buddy of mine contacted me about putting together some cash to finance the filming of a kickboxing championship to be held in Miami that fall. This was way before UFC, and this type of stuff was popular. I was like, “fuck it, why not,” so I headed down to West Palm, FL, after finding a few investors to bankroll the project. Well, when I got down there, my partner in the endeavor, Paul, dropped the bombshell on me: we were pulling out because the director of the video we were going to make had a past in porn. Which meant the mafia. No way we were going to deal with the mafia. What the fuck, right? Apparently, Paul had been funding a one-stop operation (that’s selling VHS movies to stores) moving EP cheap horror movies. These were the crappy ones that went into Walmarts, etc., like the stuff Mark Carrier did at Video Exclusives. So anyway, we were sitting on some cash, so we decided to broker loans. But we also had a hundred thousand or so copies of Nightmare on Elm Street, etc. to unload. That’s how I ran into one of the porn distributors that was going to sell the kickboxing tapes for us. He basically said, “What the fuck are you doing? You should be in porn.” He brought down Buck Adams, who at the time was hiding out in FL and trying to get funding for the John Holmes movie, so he looked like him. Funny story: that movie ended up being Wonderland with Val Kilmer, and one of the producers was who I introduced Porno Dan to, who funded Immoral. Porn is all interconnected in a big dark spider web.

So where was I. Oh yeah – so we set up a porn distribution company in Orlando, FL, headed up to the East Coast Video Show in October of 1990, and bought a bunch of Gay amateurs to distribute from a former mafia guy. So here we were in Atlantic City in our penny stock baggy suits (stylish if you were from Rochester, NJ) and snakeskin boots, drinking champagne with gangsters, celebrating our entrance to porn. My job was still bringing in money for funding as we were going to do the big movie with Buck, and for all the movies we were buying, so I was operating out of Atlanta where I had an apartment, and Paul was still in West Palm. Within two months, our porn partner salesman was ripping us off; Paul and he were in a huge fight, not to mention the state of FL came after us for loan embezzlement. Paul never submitted the loans like he was supposed to. Instead, he was on gambling trips in the Bahamas. He immediately drained the accounts to pay off the people who paid to have loans submitted, and I split to Los Angeles to make my first porn movie with Buck Adams, SPEEDTRAP. We began production on Jan. 2, 1991, and it was a 6-day 35 mm film shoot. I partnered up with Dave Kravis from Coastline Films (a foreign rights seller). Long story short, spent a bundle, didn’t make it back. So, in Jan of 1992, I happened to be in Vegas touring with NOFX when we stumbled into the Bally’s casino, and I ran into some of the porn actors I had met during my movie with Buck. That’s where the drummer of STRUNG OUT and I came up with doing our own porn, which ended up being THE HILLS HAVE THIGHS, and the rest is history. I never planned on being a porn director. What happened was the guy who was supposed to direct the movie took acid and was on the ground staring at his cigarette ash, so I had to take over. I was the only one with any experience. The crew was all punk rock friends, and the videographer had only done weddings. NOFX let me use music for the soundtrack, and the HELLCATS wrote the theme song. The whole thing was an epic fuck up. I finally got my first break in porn when I sold the movie to MIDNIGHT video, and Chris Alexander had just quit doing BEACH BUM AMATEURS, so Kevin Beechum asked me if I would shoot them. That’s when I got my first run-in with the law and got busted for conspiracy and pandering when the cops popped me filming on a beach in Malibu. They would hit you with both, so it’s a felony. Welcome to porn. LOL

2. Wow, what a stand-out introduction to adult! The 90s were certainly a time to be alive. We want to know more about you before that time, then we’ll loop around. Prior to being a badass porn felon and newly minted director, you’re a hardcore So-Cal native [and still rockin’!] with 4 generations raised in the Valley. Tell us about growing up in Southern California and life prior to your prolific career in the adult industry?

JIM POWERS: Yep, I’m from the Valley. Although my life was back and forth, as I was constantly moving as a kid because of my father’s work. Like three years in the DC area, then back to the Valley, then we moved to New Mexico. By the time I was in 5th grade, the parental units were divorced, and I would spend summers in the Valley, and school was spent in New Mexico. I escaped Albuquerque as soon as I could, and I moved back to Woodland Hills full time in high school. As a kid, I went straight from Kiss to punk rock when it blew up in 78 and was a hardcore skateboarder. So those were epic times. Punk shows were so much fun back in 1980-1984. In high school I sang for a punk band THE RESISTANCE, and we played all the local parties with Bad Religion, etc. Then I was in Killroy after that. So yeah, youth was spent drinking, doing drugs, skating, and punk rocking.

3. When I think of the past and growing up, I get nostalgic as so much has changed in such little time. We live in a different world now. What are the things that you yearn for or get nostalgic for when thinking about those formative years in So-Cal?

JIM POWERS: I think most people look back at the past with rose-tinted glasses, so I don’t know. I always tell people who ask me about the good old days, whether it is punk rock or porn, I say I think it was the newness of it. For me, I miss the days when punk was hated by everybody. You were part of a special clique. If you had blue hair, people would throw things at you from cars, for instance. It was accepted. It wasn’t the status quo. So that is what I miss. I miss the days before cell phones, and you were really on your own. I miss the days before streaming and VHS etc when it was a big deal to actually see a movie. Now who cares? We all miss our youth, so there is that, of course. I had a fun youth. I think that’s why I fell into porn. It’s like being in 13th grade forever.

4. So let’s flash back to the 80’s. I can only assume you’re skateboarding and living it up as a local in the early 80s LA punk scene [Black Flag era, so to say], rocking a Mohawk and raising trouble! In 1982, you formed the hardcore band Killroy. Let’s go back to the early days; tell us all about forming the band and the antics that went along with those early shows and playing at venues like the Viper Room and the Roxy?!

JIM POWERS: Ok, so this is a long one to explain. You know how when you are young it seems time takes forever, and you move through things so fast. Well, I got into punk back in 1978 when the Sex Pistols came to America. So, I had gone through that new wave pogo stage. By 1980 I was turning into a “hardcore” punk, which meant shaved head, slam dancing, black flag DKS, etc. This stuff was heavily influenced by the skate culture. So many of us were skaters. By 1982, I was caught up in the second wave of UK 82 punk, and that is what influenced Killroy. The spikey hair, leather jackets, mohawks, etc. Very colorful, outlandish, in-your-face look punk. Also, punk gangs were blowing up in Los Angeles, so we kind of looked at the English hooligan culture as an influence. In this era, you were getting beat up for just looking punk, so what happened is you would gang up with all your friends and start gangs to beat up the jocks, etc. Literally all we did in 82 was go from party to party fighting with whoever beat up one of our friends the previous week. The punk shows were all about fighting also. It was a pretty ridiculous time. It’s funny when I look at how fast Killroy moved along for me. It only existed from late 82 to late 84. Two years. We were on a punk label, got to tour the East Coast. Played a lot of the epic venues back then like the Olympic, Perkins, CBGBS, Rock Against Reagan, Sun Valley Sportsman’s Lodge, HJS. Good times. Looking back now, I realize how many of my friends ended up with bad drug addictions, died, or whatever. I was failing out of college, so I got sent to the dorms to finish my degree.

[LIVE TV – Killroy – Bassist Jim Lane – Sub to @KillroyPunk on YouTube or Killroy | Spotify]

5. To this day, Killroy is still rocking on! You’ve got to give credit where it’s due. It’s awesome to see the underground hardcore scene is still well and alive, and the whole world hasn’t been sanitized. Let’s face it, the new punk bands formed today just don’t have that background of freedom that comes with the era we grew up in. Where can people find your latest Killroy releases and come out and see you play live? Any upcoming Killroy shows to look out for?

JIM POWERS: We still do the band because it is something to hang onto, I guess. We never really said Let’s break up in 84. Life just takes over. In 93, we did a reunion show with NOFX, but it just wasn’t there. When we got older in 2006, we were like, let’s make the record we always wanted to. Which we did. Since then, every once in a while, we practice, write some new songs, record, and play a few shows. You can find all the Killroy stuff on Apple, Spotify, whatever. It’s all over the net for free. My goal is right now to record one more album of all new songs. A swan song.

6. Carrying on the topic of music, what’s your personal favorite Killroy song and why?

JIM POWERS: Die Motherfucker. I wrote the lyrics about an actual person. If you listen to the lyrics and look at the time it was done, I think you’ll know who it was. It’s just got catchy lyrics. I write most of the lyrics to the songs. Well, all of our songs with good lyrics I wrote. Ha ha.

7. What other bands do you love to listen to and rock out to on the regular?

JIM POWERS: I am constantly listening to new bands. I love the Good the Bad and the Fugly, TURBO NEGRO, Old AFI, the hip priests, NOFX, BLITZ, Rolling Stones, tons. I am always listening to Apple Music.

8. Okay, so you’ve formed Killroy, you’ve made your mark in the adult industry with your premiere release of “The Hills Have Thighs”, we’re back in the early 90’s, and you’re in business with Buck Adams and filming “Speed Trap”. What the fuck happened there?

JIM POWERS: Buck basically found a sucker to get his 35 mm dream movie produced. He was a dreamer and always wanted films made. Like Burt Reynolds in Boogie Nights. Anyway, it went over budget; I ended up having to do all of the post, which I had no clue about. It was filmmaking by necessity. Buck was back in Cali doing scenes, and I finished the editing, etc. on the movie. This is when you had to buy titles and match the audio to the film, etc. Anyway, I promised I would never make another porn. Didn’t last long though. I was working in OC, and I told my boss about the Speed Trap movie. He was a swinger nudist dude and wanted me to get some porn girls down to make an amateur movie in his office on the weekend. This was actually my second foray into porn. I got a couple of girls from Jim South, and my boss had me hold his camcorder filming him fuck them on the desk. First time I had ever held a video camera in my life. Literally everything I ever did for the first time I did in porn, it seemed like.

9. Moving forward from that debacle. You link up with JM Productions to make history as the godfather of American Bukkake. We’re big bukkake fans and revel in the fact that you architected this niche as the progenitor of bukkake for the American market. Props on this! Dish, we want the real story, “no holds barred,” right from the horse’s mouth!?

JIM POWERS: Here’s how bukkake came about. I used to work for a maniac named Jeff Mike at JM. He heard about this thing going on in Tokyo where guys would jerk off on a girl, and he was able to get one of those pixelated tapes. He brought me into his office to show it to me and see if it could be done. The first thing that struck me was how organized and disciplined the men were. The clap and rise. The clap and underwear come off. The clap and throw and the yelling of bukkake. So, I say yeah, I can do it. The very first American Bukkake actually took place as a scene in PERVERTED STORIES. Many of the lines came from this series. This was the era of the big gang bangs, so there were plenty of lower-cost talent I could get for these, so in the very first one I got like 20 guys in my back warehouse and shot it exactly like they did in Japan. It ended up being a hit, and we made the first American Bukkake. In the beginning, it was all male talent, but I could see immediately that to get the manpower required to take on the Japanese empire, we would need to find other channels for load dumpers. I started running ads in LA Weekly.

Now, about this time, I did the spontaneous exxxstacy 551 gang bang, so I hired the guy who helped me to be the bukkake manager. He would be paid bonuses based on the number of guys we would get. He also ran the Jurassic Park ride at Universal, so I hired the ride operators to bring the men through and control it like a ride or sport. This was not a movie set. So, I hired the entire Jurassic Park team as the crew. I realized we would have broke dudes showing up, so we started doing it in groups of 3 to 4 weeks in a row at 7pm on a Wednesday at a studio near a bus line. This way, guys could get off work and take the bus to it. Also, and here is the key, this was back when we were doing ELIZA testing. Not DNA. Tests were only $35 and results in half an hour. The clinic was by the studio, and the guys could put it on my tab. We would deduct from their pay. This was a conduit to men seeking the exciting life of fame and sex in porn. We were helping the masses realize their dream of porn stardom. Everybody was welcome. You did not have to have a good physique, huge cock, or be a good actor. Young or old. Smart or dumb. You were all invited. Bukakke was for the people. So anyways, this shit starts blowing up. Melrose Larry Green is broadcasting from the set; we are getting bukkake groupies, chicken hawks showing up to steal our men for their load-dumping lines or gang bangs. I was putting ads up in laundromats to recruit men. LA Weekly, LA Reader, people were talking about it on the Howard Stern show. I even went out there with Max Hardcore. It was a magical time.

10. So, logistics for filming those early bukkake scenes must have been insane; I can only imagine coordinating all of those dudes and, of course, the lovely models who would be receiving the tsunami of sperm for these legendary bukkake scenes. Tell us about the insanity that came with the logistics of filming the first American bukkake scenes and how you handled the chaos?

JIM POWERS: As bukkake got larger and larger, we needed to keep moving the posts. We could not stay stagnant. That’s why there were so many crazy ones and scenarios to keep people interested. We were bringing in full mariachi bands to play while a cum burrito was made. We would put a girl in a diving mask without the glass to fill up. We started an offshoot of the GOKKUN line for the guys who liked watching them swallow, keeping bukkake for the traditionalists. It spread to lesbian bukkake with squirting, butt fuck bukkake. It really was the summer of love.

11. During that time, it didn’t come without scrutiny, especially from law enforcement in the early 2000’s. Trailblazing once again for freedom of pornography and the right for personal freedom in general…. What happened with the chaos of the raids and general crackdown on gonzo and obscenity, with you personally, during that wild era?

JIM POWERS: Anybody that shot porn in the nineties remembers the constant vice raids. Porn had just become legal in 89, but it’s like the cops didn’t even know. Vice was busting sets constantly. I must have been shut down or popped like 30 times in the 90s. They would line you up and run ids etc. It was all about shooting without a permit. FYI, all this shooting people are doing is technically illegal. When they want to get you, they will, and all it takes is for the city DA to get word what to go after. It’s just they aren’t right now. The first bukkake case was served in LA. So, it’s not like it was just southern states busting you on interstate. When it happened, I was literally an hour away from filming on the set, and the news came that JM was served. I asked him what to do, and he said keep shooting. That guy was a warrior. It was scary when the obscenity task force came in with the Bush admin in 2000 under Meese. They started going after everybody. The FBI came to get me, but because of a technicality that I was not the actual shipper of the Powersville movie, I was able to skate. JM got caught all up in the FIVE-STAR case, and JM got off because it could not be proved they shipped the DVD either. He had to go clear to court and spent a half million defending himself. This is when Rob Black, Max Hardcore, and all those people went to prison. Stagliano was also indicted. I always tell everybody 9/11 saved porn because it really showed everybody why the fuck was the govt going after porn? It really put everything into perspective. Then the obscenity task force members and all those preachers and televangelists all started getting busted for banging underage boys and whatnot in motel rooms. It’s always the people in the glass house tossing the rocks.

12. Next you started your own company, Powersville, and really became a true force of the industry, dropping one epic release after the other. Tell us all about Powersville and that booming era while working with companies like Smash Pictures, Sin City, Mayhem, and so on. How did it feel to be newly running your own company and kicking ass as the helm of Powersville?

JIM POWERS: I had set up my own company as far back as 1990, International Film Group in FL. (disaster), then BIG BANG PICTURES that was the double penetration virgin line, then NOTORIOUS/MULTIMEDIA. I set up Powersville to strictly make movies I WANTED to make and would not have to make anybody else happy. That’s where I would have the musical numbers, and the punk rock movies and the funny bondage movies. For a few years, the Powersville stuff was really fun, and I could make money putting it out. Mayhem and Sin City in the 2000s were great. They paid well and gave me huge budgets. Then the housing crash of 08 hit and the porn crash of 2010 hit. Sin City and all the DVD distributors seemed to die overnight. It was like BAM, they were gone. It was chaos. I was still shooting, but the heyday was over. I’m glad I did not have a Ferrari to repo. Smash was fun as we did some cool projects. Started doing a lot of work for Internet-only type companies and segued into stuff with Devils and Gender X. I really felt like we were having a big boom again right before COVID, as work was great, and even during COVID it was steady.

13. Leading up to the current day, you’re still [and more than ever] an adult visionary racking up the titles and pleasing the people. Bringing us some of the best award-winning group, gonzo, and Trans scenes and series, we’ve got to ask, what’s your favorite kind of scene/series to film?

JIM POWERS: I try to keep things fun and fresh. I also try to care about what I’m making. I’ve always lived under the adage that this could be your last day shooting a scene, and this is all they will have to remember you by, so do your best. You could die on the way home. So back to the porn – I’ve always felt there has to be some sort of story to why those particular people may be having sex in your movie, so I’m not a gonzo shooter by far. I’m more of a hybrid format. I like to combine cinema with wide-open sex style. I’ve never been a fan of two random people just fucking on the couch. Who cares. I don’t mind the interview with the new girl or boy, and someone comes in to fuck them because that is the story. Three neophytes selling their body for some cash and/or stardom. That’s a story. Right now, some of my favorite stuff to shoot is the Devils lines, as they are throwback fun, crazy sex similar to porn of the past. I like goofy stories for porn. It’s porn after all. Make it fun. I also really enjoy shooting the trans movies, as the trans girls are a lot of fun to be on set with, and I really appreciate a production that pushes them. That’s why I liked doing Transpirella so much, as the actors in the movie really saw we cared about making something cool.

14. You’re the acclaimed director for a ton of our favorite series, including BiPhoria, Gender X, Devil’s Film [to name a few], and most of all MILF Overload. What’s it like on set filming these kinds of group scenes with multiple performers and an in-depth, over-the-top storyline?

JIM POWERS: I’ve always prided myself on doing the scenes others shy away from. I like the thrill of the over-the-top group scenes or miserable location scenes. The reason is I like shooting stuff that is memorable. A big gang bang is almost like shooting a sporting event, and you are a coach. It’s pushing people through it. Keeping your head when chaos surrounds you. The more chaotic, the more comfortable I am. When I was presented with shooting trans for the first time, it was a quick sign me up. To me, it was new and exciting. Same shooting the bi content. It’s fun, and the actors involved are some of the nicest people you will meet in porn. I think I came from an era when everybody wanted to shoot lesbian porn or features. That’s like only ordering beer and wine your whole life. I’ll take the French 75 and Corpse Reviver #2, thank you very much.

15. Who are your favorite performers to currently work with, and who haven’t you had the pleasure of working with but would love to get on your set?

JIM POWERS: Favorites to work with now: Love Adira Allure, Michael Del Ray, Rissa May, Lexi Lore, Slim Poke, Charles Dera, Ariel Demure, Summer Kline, Gal Ritchie, Danielle Renae, Jimmy Bud, Rachael Cavalli, Sage Roux, Cassidy Cawley, Kasey Kai, Nick Smash, Natalie Brooks, Jennifer White, Emma Rose, and Little Puck.

Hmmm, who would I love to shoot: Honestly, I don’t know. Many past girls who are gone I wish I had shot.

16. After an epic career in the industry and still going strong (with the best yet to come, we believe) with an impressive average of 300 directorial scenes per year, as of 2025 you were (finally, in our opinion, what took them so long!?) inducted into the AVN Hall of Fame. What does earning that lifetime award and title mean to you?

JIM POWERS: I was put into the AVN Hall of Fame way back in 2005. I was pissed when I got put in because I thought it meant my career was over. I think I’ve shot more scenes than anybody now in history. I think. I have to somehow outlast that bastard, Mike Quasar.

I don’t know where the fuck I got that bad intel from!  LOL

17. When you’re not filming adult videos and rocking out with your band. What do you like to do for fun? Hobbies and interests outside the adult industry and music?

JIM POWERS: Not much. Hanging with the wife, just doing stuff, I guess. I’m a big Miami Dolphins fan, so I torture myself watching them play during football season.

18. What’s the craziest story [industry related or not] you think back to and laugh or at least shake your head, thinking, “WTF?” that you can share with us?

JIM POWERS: These are stories you tell when you are drunk. I don’t know; I have so many it’s endless. Probably the time in Ho and the Haystack and Dave Hardman smoked glass and was incapable of doing a scene. I had no idea what was wrong with him. He was wearing an Amish beard and walking around pulling on his flaccid cock all day with an insane look in his eyes. We just kept him on the set for safety as he wandered around all day. We were up in the woods. Crazy homeowner wanting to kill us had a gun. Warning kids: do not smoke glass and attempt to act in a movie.

19. So what’s next for our favorite gonzo director, you, Jim Powers? More directing, punk rock, take the path wherever the wind takes you? What’s next on the agenda? Do you have any upcoming appearances, events, business plans, career aspirations, or upcoming porn scenes that you can share with our readers?

JIM POWERS: Right now, I want to make another record, a full-length album with Killroy. Probably the swan song. Just trying to shoot and make each one count. You never know when it’s the final one.

20. Leave our readers with a true taste of the one and only, original Jim Powers. If you were ice cream, what flavor would you be?

JIM POWERS: Well, not vanilla, that’s for sure. Prob mint and chip.

Opinions expressed in this article are verbatim.

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